Monday, December 23, 2019

Dutch Artist Vincent Van Gogh - 888 Words

â€Å"The life of an artist is a gamble, what a gamble, it’s all or nothing.† As for post-impressionist and Dutch artist Vincent van Gogh, nothing is what was received. Out of the nine-hundred paintings produced within ten years, only one was sold. Van Gogh was often ridiculed by other artists about his work and he had very few friends. One of his closest friends was his younger brother Theodorus â€Å"Theo† van Gogh. Vincent would often write to Theo and on various occasions he would write about the hardships of life, including the ways in which he was treated. In one particular letter he wrote â€Å"I wish they would only take me as I am.† Van Gogh suffered from temporal lobe epilepsy and mental illness, most commonly believed to be manic†¦show more content†¦In Vincent van Gogh’s oil painting, he used an even amount of primary and secondary colors. In Starry Night, the dark values of the blues and greens contrast greatly with the lighter values of the yellows and oranges. On the subject of the colors, he stated â€Å"There is no blue without yellow and without orange.†5 The high saturation of the work differs from the low saturation of Sower with Setting Sun also known as The Sower. The Sower is a drawing with pen and brown ink. The color brown is found in the yellow-red section of the color wheel and is a low saturation and low value hue. The brown ink gives the drawing a warm appearance whereas the blue hues in Starry Night have a more distant and cold feeling about them. Sower with Setting Sun is said to be influenced by Jean Francois’ Millet of a Sower, created in 1850, just thirty-eight years before Vincent van Gogh’s drawing of The Sower. Van Gogh, who had a religious upbringing and even became a pastor himself,2 may have also been inspired by Matthew 13 of the Bible , which says: â€Å"And he spake many things unto them in parables, saying, Behold, a sower went forth to sow; And when he sowed, some seeds fell by the way side, and the fowls came and devoured them up: Some fell upon stony places, where they had not much earth: and forthwith they sprung up, because they had no deepness of earth: And when the sun was up, they were scorched;Show MoreRelatedVincent Van Gogh Essay example1437 Words   |  6 PagesVincent van Gogh was a Dutch post-impressionist painter, whose work represents the archetype of expressionism, the idea of emotional spontaneity in painting. Van Gogh was born March 30, 1853, in Groot-Zundert, son of a Dutch Protestant pastor. Van Goghs birth came one year to the day after his mother gave birth to a first, stillborn child; also named Vincent. There has been much speculation about Vincent van Gogh suffering later psychological trauma as a result of being a replacement child andRead More vincent van gogh Essay examples1404 Words   |  6 Pages Vincent van Gogh was a Dutch post-impressionist painter, whose work represents the archetype of expressionism, the idea of emotional spontaneity in painting. Van Gogh was born March 30, 1853, in Groot-Zundert, son of a Dutch Protestant pastor. Van Goghs birth came one year to the day after his mother gave birth to a first, stillborn child; also named Vincent. There has been much speculation about Vincent van Gogh suffering later psychological trauma as a result of being a quot;replacement childquot;Read MoreArt Movement : Vincent Van Gogh1590 Words   |  7 Pagesin shaping countries, cultures, and development. Many artists have contributed to many different art movements. Art movements have occurred in all parts of the world and help establish cultures. When looking at influential artists from the past we can see people who both failed and succeeded. Many of these artists have had interesting lives that we can learn from. One especially remarkable artist was Vincent Van Gogh. Vincent Van Gogh was a Dutch and was born on March 30, 1853 in Groot-Zundert, inRead MoreA Brief Biography of Vincent Van Gogh856 Words   |  3 PagesVincent Van Gogh, born on March 30, 1853, in Groot-Zundert, Netherlands by parents, Anna Cornelia Carbentus and Theodorus Van Gogh. A year before his birth, his older brother was born and died; his name was also Vincent Van Gogh. Anna Cornelia Carbentus, the mother never got over her first child’s death despite having other children. This made Van Gogh somber. Despite this Van Gogh was very close to his young brother Theo. As a little boy, Van Gogh was inspired by his mother to love nature, drawRead MoreVincent Van Gogh Essay1397 Words   |  6 PagesVincent Van Gogh was one of the world s greatest artists. Though not widely known in his lifetime, he is now considered to be the greatest Dutch artist aside from Rembrandt. He was born Vincent William van Gogh in Groot-Zundert, a small town in Brabant Netherlands, on March 30, 1853. His father was a protestant pastor which is believed to have greatly influenced Van Gogh . His mother, Anna Cornelia Carbentus, was artist that loved nature, drawing and watercolors. Her interest in all of theseRead MoreStarry Night By Vincent Van Gogh1433 Words   |  6 Pages A Cypress Tree in the Midst of the Stars Vincent Van Gogh, the Dutch artist who painted Starry Night, was disrespected and unappreciated for his works during his life. However, today he is considered one of the greatest Dutch painters. Today, his work is known for its detail, beauty, and emotion. One might claim that Vincent Van Gogh’s painting Starry Night depicts his supposed insanity. However, his painting Starry Night depicts hisRead MoreVisual Arts Paper1035 Words   |  5 Pagespractice of literature, philosophy, music and arts. However, Modernist principles replaced renaissance ideals by being more expressive through various art forms. Vincent Van Gogh, a Dutch painter, expressed modernism through his unpredictable behaviors. One of Van Gogh’s most famous art works in history, The Starry Night, greatly articulated Van Gogh’s inner chaos. Early Modernism created an expressive and artistic atmosphere of the 19th century. Modernism rejected Greco-Roman and Judeo-Christian viewsRead MoreVincent Van Gogh And His Life868 Words   |  4 Pages(21st) Century, the life of Vincent Van Gogh; has become more of a legend with a substantial figure among painters and western art in the society today. Vincent Van Gogh is said to be a person with persevering characteristics due to all the failures he encountered in his career path from being a â€Å"minister like his father to dealing in arts like his uncle† (Blumer,2002) before becoming the successful painter, we all acknowledge in the world today. However, Vincent Van Gogh is practically known to beRead MoreDifferences Between The Paintings Starry Night And Sunflowers 1418 Words   |  6 Pages Vincent Van Gogh Kayla Grade-8 Ruby Ms. Margret January 22, 2017 Research Question: What are the differences between the paintings ‘Starry Night’ and ‘Sunflowers’? Abstract This research paper aims to find out the differences between the paintings ‘Starry night’ and ‘Sunflowers’ which are painted both by Vincent Van Gogh. The purpose of this paper is to compare these two paintings in different points of view. For instance it includes the time period of the paintings, the color scheme, the moodRead MoreResearch Paper On Vincent Van Gogh705 Words   |  3 PagesVincent Van Gogh: The Life and Impression of a Post-Impressionist A great artist once wrote, â€Å"If you hear a voice within you say you cannot paint, then by all means paint, and that voice will be silenced†. This artist was Vincent van Gogh, soon to be an appraised artist known all around the world for his works, such as Starry Night. He is one of the very first artists of the post-impressionist style than is now adored in every continent. However, there is much more to the man than one painting

Sunday, December 15, 2019

John Milton Free Essays

string(247) " together heard What time the gray-fly winds her sultry horn, Batt’ning our flocks with the fresh dews of night, Oft till the star that rose, at ev’ning, bright Toward heav’n’s descent had sloped his west’ring wheel\." The great poetic tradition of pastoral elegies survives in modern times predominantly by literary allusion and through the interests and efforts of scholars. At the time of Milton’s writing of â€Å"Lycidas,† in 1637, the tradition of pastoral elegy remained sufficiently topical that the poem was hailed as a masterpiece by readers and judged to be among Milton’s finest compositions. However, the poem displayed certain anarchistic tendencies, even upon its publication, and a sense of too-controlled formality for some readers, among them Samuel Johnson who remarked: â€Å"the diction is harsh, the rhymes uncertain, and the numbers unpleasing [. We will write a custom essay sample on John Milton or any similar topic only for you Order Now .] in this poem there is no nature, for there is no truth; there is no art, for there is nothing new† (Thorpe,66). In fact, what might be called the weakest lines of â€Å"Lycidas† demonstrate a type of strained heroicism, or emotional fabrication, which contrasts sharply with the intended theme of the poem: Had ye been there, for what could that have done? What could the Muse herself that Orpheus bore, The Muse herself for her enchanting son, Whom universal nature did lament, When, by the rout that made the hideous roar, His gory visage down the stream was sent, (Lycidas) The phrasing in this passage, including the densely packed allusion of classical mythology and the proliferation of adjectives â€Å"enchanting,† â€Å"universal,† â€Å"hideous,† â€Å"gory,† at the expense of active verbs dampens the impact of the lines, as well as dampening the overall impact of the poem. Other passages of the pome stand out with a peculiarly modern tone and sentiment; in fact, â€Å"Lycidas offers a passage, which when taken away from the rest of the poem, could stand as, itself, an elegy to the drowned Shepard: â€Å"The musk-rose, and the well-attired woodbine,/With cowslips wan that hang the pensive head,/ And every flower that sad embroidery wears./Bid amaranthus all his beauty shed, And daffadillies fill their cups with tears,/To strew the laureate hearse where Lycid lies.† (Lycidas). In this passage, the sentiment of the poem overrides any sense of artifical diction or meter. Interestingly enough, the restraint demonstrated in these lines proved a Literary â€Å"premonition† of another famous elegy, composed by the American poet, Hart Crane, in 1922. Crane’s poem â€Å"Praise for an Urn† may be the most famous elegy in American poetry. Like â€Å"Lycidas,† the poem is lyrical and formal in diction and prosody.  Ã‚   Milton’s poem, composed with an irregular rhyme patter, sought to evoke the sense of formal oratory; Crane’s poem traces a similar strategy, but is written in a form of blank verse, without rhyme. The greatest distinction between the two poems is a distinction intone. Whereas Milton’s poem is openly passionate and   public, Crane’s poem is restrained and intimate. Where Milton utilized plentiful allusion to classical poetry, myth, and history — Crane relies, instead, upon hermetic allusion : â€Å"The slant moon on the slanting hill/Once moved us toward presentiments† (Crane) and the poem’s power is grasped — not by what is articulates, precisely, but what it cannot articulate. The closing lines of â€Å"Praise for an Urn† are, in fact, a denial of the elegy itself as a meaningful gesture of grief: Scatter these well-meant idioms Into the smoky spring that fills The suburbs, where they will be lost. They are no trophies of the sun. (Crane) If the poetic elegy survives in the modern world, it will likely follow Crane’s example more closely than Milton’s. The modern reader and one presumes, the modern poet, has become less of a public orator given to extensive allusion to classical myth and literature, and has become more of a private confessor, a singer of subjective, rather than collective, feelings and impulses. Work Cited Thorpe, James B., Milton Criticism: Selections from Four Centuries; Rinehart, 1950. PRAISE FOR AN URN In Memoriam: Ernest Nelson    It was a kind and northern face That mingled in such exile guise The everlasting eyes of Pierrot And, of Gargantua, the laughter.    His thoughts, delivered to me From the white coverlet and pillows, I see now, were inheritances — Delicate riders of the storm.    The slant moon on the slanting hill Once moved us toward presentiments Of what the dead keep, living still, And such assessments of the soul    As, perched in the crematory lobby, The insistent clock commented on, Touching as well upon our praise Of glories proper to the time.    Still, having in mind gold hair, I cannot see that broken brow And miss the dry sound of bees Stretching across a lucid space.    Scatter these well-meant idioms Into the smoky spring that fills The suburbs, where they will be lost. They are no trophies of the sun.    Hart Crane (1922) Lycidas by John Milton In this monody the author bewails a learned friend, unfortunately drowned in his passage from Chester on the Irish Seas, 1637; and by occasion foretells the ruin of our corrupted clergy, then in their height. Yet once more, O ye laurels, and once more, Ye myrtles brown, with ivy never sere, I come to pluck your berries harsh and crude, And with forced fingers rude Shatter your leaves before the mellowing year. Bitter constraint, and sad occasion dear, Compels me to disturb your season due; For Lycidas is dead, dead ere his prime, Young Lycidas, and hath not left his peer. Who would not sing for Lycidas? He knew Himself to sing, and build the lofty rhyme. He must not float upon his wat’ry bier Unwept, and welter to the parching wind, Without the meed of some melodious tear. Begin then, Sisters of the sacred well, That from beneath the seat of Jove doth spring, Begin, and somewhat loudly sweep the string. Hence with denial vain, and coy excuse, So may some gentle Muse With lucky words favour my destined urn, And as he passes turn And bid fair peace be to my sable shroud. For we were nursed upon the selfsame hill, Fed the same flock by fountain, shade, and rill. Together both, ere the high lawns appeared Under the opening eyelids of the morn, We drove a-field, and both together heard What time the gray-fly winds her sultry horn, Batt’ning our flocks with the fresh dews of night, Oft till the star that rose, at ev’ning, bright Toward heav’n’s descent had sloped his west’ring wheel. Meanwhile the rural ditties were not mute, Tempered to th’ oaten flute; Rough Satyrs danced, and Fauns with cloven heel From the glad sound would not be absent long; And old Damoetas loved to hear our song. But O! the heavy change now thou art gone, Now thou art gone and never must return! Thee, Shepherd, thee the woods, and desert caves, With wild thyme and the gadding vine o’ergrown, And all their echoes mourn. The willows, and the hazel copses green, Shall now no more be seen Fanning their joyous leaves to thy soft lays. As killing as the canker to the rose, Or taint-worm to the weanling herds that graze, Or frost to flow’rs, that their gay wardrobe wear, When first the white-thorn blows; Such, Lycidas, thy loss to shepherd’s ear. Where were ye, Nymphs, when the remorseless deep Closed o’er the head of your loved Lycidas? For neither were ye playing on the steep Where your old bards, the famous Druids, lie, Nor on the shaggy top of Mona high, Nor yet where Deva spreads her wizard stream. Ay me, I fondly dream! Had ye been there, for what could that have done? What could the Muse herself that Orpheus bore, The Muse herself for her enchanting son, Whom universal nature did lament, When, by the rout that made the hideous roar, His gory visage down the stream was sent, Down the swift Hebrus to the Lesbian shore? Alas! what boots it with uncessant care To tend the homely slighted shepherd’s trade, And strictly meditate the thankless Muse? Were it not better done as others use, To sport with Amaryllis in the shade, Or with the tangles of Neaera’s hair? Fame is the spur that the clear spirit doth raise (That last infirmity of noble mind) To scorn delights, and live laborious days; But the fair guerdon when we hope to find, And think to burst out into sudden blaze, Comes the blind Fury with th’ abhorred shears, And slits the thin-spun life. â€Å"But not the praise,† Phoebus replied, and touched my trembling ears: â€Å"Fame is no plant that grows on mortal soil, Nor in the glist’ring foil Set off to the world, nor in broad rumour lies, But lives and spreads aloft by those pure eyes And perfect witness of all-judging Jove; As he pronounces lastly on each deed, Of so much fame in heav’n expect thy meed.† O fountain Arethuse, and thou honoured flood, Smooth-sliding Mincius, crowned with vocal reeds, That strain I heard was of a higher mood; But now my oat proceeds, And listens to the herald of the sea That came in Neptune’s plea. He asked the waves, and asked the felon winds, What hard mishap hath doomed this gentle swain? And questioned every gust of rugged wings That blows from off each beaked promontory: They knew not of his story, And sage Hippotades their answer brings, That not a blast was from his dungeon strayed; The air was calm, and on the level brine Sleek Panope with all her sisters played. It was that fatal and perfidious bark, Built in th’ eclipse, and rigged with curses dark, That sunk so low that sacred head of thine. Next Camus, reverend sire, went footing slow, His mantle hairy, and his bonnet sedge, Inwrought with figures dim, and on the edge Like to that sanguine flower inscribed with woe. â€Å"Ah! Who hath reft (quoth he) my dearest pledge?† Last came, and last did go, The Pilot of the Galilean lake. Two massy keys he bore of metals twain, (The golden opes, the iron shuts amain) He shook his mitred locks, and stern bespake â€Å"How well could I have spared for thee, young swain, Enow of such as for their bellies’ sake Creep, and intrude, and climb into the fold! Of other care they little reckoning make Than how to scramble at the shearers’ feast, And shove away the worthy bidden guest. Blind mouths! that scarce themselves know how to hold A sheep-hook, or have learned aught else the least That to the faithful herdman’s art belongs! What recks it them? What need they? They are sped; And when they list, their lean and flashy songs Grate on their scrannel pipes of wretched straw; The hungry sheep look up, and are not fed, But swoll’n with wind, and the rank mist they draw, Rot inwardly, and foul contagion spread; Besides what the grim wolf with privy paw Daily devours apace, and nothing said; But that two-handed engine at the door Stands ready to smite once, and smite no more.† Return, Alpheus, the dread voice is past That shrunk thy streams; return, Sicilian Muse, And call the vales, and bid them hither cast Their bells and flow’rets of a thousand hues. Ye valleys low, where the mild whispers use Of shades, and wanton winds, and gushing brooks On whose fresh lap the swart star sparely looks, Throw hither all your quaint enamelled eyes, That on the green turf suck the honeyed show’rs, And purple all the ground with vernal flow’rs. Bring the rathe primrose that forsaken dies, The tufted crow-toe, and pale jessamine, The white pink, and the pansy freaked with jet, The glowing violet, The musk-rose, and the well-attired woodbine, With cowslips wan that hang the pensive head, And every flower that sad embroidery wears. Bid amaranthus all his beauty shed, And daffadillies fill their cups with tears, To strew the laureate hearse where Lycid lies. For so to interpose a little ease, Let our frail thoughts dally with false surmise. Ay me! whilst thee the shores and sounding seas Wash far away, where’er thy bones are hurled, Whether beyond the stormy Hebrides, Where thou perhaps under the whelming tide Visit’st the bottom of the monstrous world; Or whether thou, to our moist vows denied, Sleep’st by the fable of Bellerus old, Where the great vision of the guarded mount Looks toward Namancos and Bayona’s hold. Look homeward, Angel, now, and melt with ruth; And, O ye dolphins, waft the hapless youth. Weep no more, woeful shepherds, weep no more, For Lycidas your sorrow is not dead, Sunk though he be beneath the wat’ry floor. So sinks the day-star in the ocean bed, And yet anon repairs his drooping head, And tricks his beams, and with new-spangled ore Flames in the forehead of the morning sky: So Lycidas sunk low, but mounted high, Through the dear might of Him that walked the waves, Where, other groves and other streams along, With nectar pure his oozy locks he laves, And hears the unexpressive nuptial song, In the blest kingdoms meek of joy and love. There entertain him all the saints above, In solemn troops, and sweet societies, That sing, and singing in their glory move, And wipe the tears for ever from his eyes. Now, Lycidas, the shepherds weep no more; Henceforth thou art the genius of the shore, In thy large recompense, and shalt be good To all that wander in that perilous flood. Thus sang the uncouth swain to th’ oaks and rills, While the still morn went out with sandals grey; He touched the tender stops of various quills, With eager thought warbling his Doric lay: And now the sun had stretched out all the hills, And now was dropped into the western bay. At last he rose, and twitched his mantle blue: Tomorrow to fresh woods, and pastures new. Instructions from the instructor: 1. Lycidas is in the tradition of great pastoral elegies. But often it seems a relic of the past, when in fact the elegiac tradition has continued. Or has it? Find a post-1850 elegy (not necessarily a pastoral elegy) and compare/contrast it with Lycidas in order to show how the elegiac tradition has or has not continued or changed. Please provide a copy of the elegy you choose with your paper praise for an urn 1 source mla How to cite John Milton, Essay examples John milton Free Essays When I consider how my light is spent†, and â€Å"How Soon Hath Time†, the poet refers to his blindness and the use of time. From the death of his infant son, to the death of his wife, down to Milton becoming blind, surprisingly, he had yet to let these obstacles stop him from being the amazing writer/Poet we was. â€Å"When I considered how my light is spent†, is a sonnet referring to his blindness nd his secret obsession with time. We will write a custom essay sample on John milton or any similar topic only for you Order Now Towards the end of this sonnet he questions his God as to why Milton’s â€Å"one talent† (line 3) was taken from him (his sight) and how it is possible to serve God with his blindness. Milton knows that he is talented, â€Å"though my Soul more bent to serve therewith my Maker, and present my true account, lest he returning chide;† (lines 4-6) his soul desires â€Å"bent† to use his skills in the service of his â€Å"Maker,† God, but doesn’t know how to deal with it: â€Å"And that one talent which is death to hide† (line 3). It is ironic because here is a man who is incredibly talented, et isn’t able to use his talents. Because its â€Å"Lodged with [me] useless, though my soul more bent†, where he almost bluntly states that he knows he has an amazing talent, which is his astounding ability to write amazing poems and such writings. â€Å"He does consider his blindness briefly in the poem, but taking Milton’s work so literally as to suppose that his blindness was all that he was talking about doesn’t give credit to Milton’s completely abstract thinking nor his depth of understanding holy literature. â€Å"( Georgii ). The start of the poem goes smooth as he tells the reader is view of being blind. Then midstream the poem he slips into the conversation about god as his maker and how Milton is supposed to serve God in his blind state. He refers to â€Å"Light†, which is also referred to in the bible. He attempts to describe man’s relationship with god. I believe he is referring to light in the form of which Jesus speaks of light when quoting the Bible (all forms) Jesus says, â€Å"and no one would light a lamp and put it under a clay pot. A lamp is placed on a lampstand, where it can give light to everyone in the house. Matthew 5:15;Contemperary English Version): â€Å"Jesus proceeded here to show them that the very reason why they were enlightened was that others might also see the light, and be benefited by it. When people light a candle, they do not conceal the light, but place it where it may be of use. So it is with religion. It is given that we may benefit others. It is not to be concealed, but suffered to show itself, and to shed light on a surrounding wicked world† (Barne’s). In the scripture it also says â€Å"For there is nothing hidden that will not be disclosed, and nothing concealed that ill not be known or brought out into the open. (Luke 8:17). As I am still referring to Milton’s â€Å"Light†. His talent is nothing to hide, but feels as though, due to his loss of sight. Because he can no longer see light he is forced to â€Å"see† in another way. Fore his blindness does not attect ni ty to write, but it only makes it more difficult but not impossible. The bible also states, â€Å"The light of the body is in the eye; therefore when thine eye is single thy whole body also is full of light; but when thine eye is evil, thy body is full of darknes s. If thy whole body therefore be full of light, having no part dark, the whole shall be full of light† Here, eye does not literally mean eye in the sense of seeing but in the sense of what is within a person. Solely speaking that Milton isn’t necessarily an evil person but due to his own insecurities feels as though. Because of his â€Å"dark world and wide†, feels he has not yet seen the light. Milton claims his talent is â€Å"useless†, and by not using his talent to write an epic poem, Milton thinks he’s wasting it. In the Biblical story, â€Å"a master gives servants oins (talents) to turn a profit on them; when one servant buries the talent instead, the master chides him for not putting it in the bank and earning interest. The master is supposed to be God† (web. ) So this chimes into â€Å"lest He returning chide†, that he wants his â€Å"true account† meaning he wants to be recognized for what he’s worth. His One talent was far more than a biblical day-laborer could expect to earn. â€Å"His state Is kingly: thousands at His bidding speed, And post o’er land and ocean without rest; They also serve who only stand and wait†. Meaning that god is holy and bove all, because he created your talent he only serves those who wait. By the end of this poem he shows that he has learned the conclusion to his hidden talent which is not to sit and do nothing or wait without any effort or prolonging for what you want but Instead, he’s trying to say that god only serves those who wait for better or remain faithful to his kingly name. While this amazing epic poem stresses the fact that god is behind you, one of his other sonnets expresses otherwise, â€Å"How soon hath time†, talks about aging and how it happens so fast. Hes Just turned 24 and everything is feeling like its going so fast. His life is excelling at a faster rate than he’d like, and he Just wants to do great things with his life. I don’t think he feels as he’s done enough for where he is, even though he clearly has. At the end he calms down and takes a break. He says the heavens will lead him to where he should be. And he wants to use all of his talents God gave him, and use them to his full potential. â€Å"My hasting days fly on wtih full career, But my late spring no bud or blossom shew’th. Perhaps my semblance might deceive the truth, How to cite John milton, Papers

Saturday, December 7, 2019

Patrons Of A Singles Bar Essay Example For Students

Patrons Of A Singles Bar Essay PATRONS OF A SINGLES BAROne only needs a singles bar to examine a unique cross section of life. These interesting varieties of individuals, give an impression of how a singles bar can effect morality. Such a place also vindicates compatibility and has a sociable aura. This kind of bar is generally a place to gather and discuss nightly activities, a hot spot for the lonesome, and a turf for the inebriated. Giving directions to everyone incorporated with the happening events of the evening, can be a difficult task. Most individuals use a familiar singles bar as a standard meeting place. From this point, getting a drink while wasting time for a later event; or even planning further activities is possible. In edition, such a convivial location promotes functions in the local area, similar to the showing of Monday Night Football on a big screen TV. A common individual, who is always among the population at a singles bar, is a lonesome person. They attend such a bar to escape from the feeling of being alone. Going to a singles bar gives this type of isolated public figure a better opportunity to communicate with others. In edition, a desolate may feel the need to be liked. They will repeatedly attend such eligible places to come in contact with a compatible companion or simply to meet new people. For this individual, going to a singles bar merely relieves the everyday stresses of being forlorn. Another collective group of individuals that are known to frequent single bars, are those who are there simply to imbibe alcohol. Although it is not an impressive situation or in itself a pretty picture, it is fact that there is a percentage of persons who are present solely for the purpose of getting drunk. The main incentive why alcoholics are lured to a singles bar is for the drink specials. These distilled beverage bargains are supposed to be encouraging to those who are trying to pick up a date; yet, the specials seem to be the most enticing to the heavy drinkers. The melting pot of a singles bar is truly a diverse Mecca of individuals. Each of these members has comparable interest and various desires. Some might see the singles bar as a homogeneous mixture of lascivious singles; yet, others may see it as a unique variety of people. Overall, everyone is really only looking for an interval of peace and happiness in life; and each hopes to find that special some one or something.